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Ancient And Modern: Highlights of Half​-​a​-​Century

by Alan Clayson

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1.
Well, the video went funny, so I called up my assistant in despair. She told me not to worry; there was something, maybe static, in the air. Suddenly the 'phone went dead. I slammed it down and gazed into the street Where the mob was gathering in mid-November, shirt-sleeved in the heat. Until now it seemed that hardly anyone believed the end was near - But I had known for months that there was something wrong outside the atmosphere. Sick of endless summer with its power failure, illnesses and drought, The Space Bureau was ransacked and my scientific secret was out. Sol Nova - and it's all over for Earthlings. Sol Nova - is it all over for me? All the people in the know had wisely taken care of Number One - For only way beyond cold, barren Pluto was there shelter from the sun. For days and weeks in screaming heat was murder, burning, pillaging and rape. Still the spaceships were made ready for the few who with me would escape. Sol Nova - and it's all over for Earthlings. Sol Nova - is it all over for me? Outside on the launching pad, I hear the roaring of the hyperdrive, And if someone doesn't find me soon, I'll lose out on my one chance to survive. See, in the spaceport penthouse suite, I packed my things, rejoicing in my luck, But in the lift between the first and second floor, the bloody thing got stuck. Sol Nova - and it's all over for Earthlings. Sol Nova - and it's all over for me
2.
Purge the words of yearning for true love. I sang a song of longing for you, love. Lord, let not the Devil place a curse on her - And let not me die in pagan Mercia... Pagan Mercia... Nobody was certain of our crime, love. The world must know that Englishmen need time, love. Yesterday, Christ landed us for sacrifice. Anyway, without your love, what's paradise? What's paradise? Yes, I know they're far from being angels yet. Angels have no innocence. They have no sex. Twilight's on the harvest on the Saxon shore - And as the nights grow longer, love, I want you more. I want you more. All the rumours you've been hearing - Nothing here at all. Leaden skies, deserted clearings… The shore's a bastion, the sea's a wall… A thousand years of tears… As angels fly away - And I find my grave in the rolling waves. I cast aside the dreams of all our wasted hours. I sailed across the sea to curb the heathen power. Soon the seasons turn from gold to marble, love. Soon the wintry sea will freeze the harbour, love. Freeze the harbour, love. If doctrines of despair reveal the fall of man, Let Satan's work begin in this forsaken land. This ragged earth will hold me in its grave’s grasp, love, At last, love.
3.
Worry, worry, worry - The cathode pinpoint dies. Hurry, hurry, hurry - He drew my blinds; his sunlight dazzled my eyes. He meddled with dark forces. He made it bleep and whine From chimney to transmitter, On the superheterodyne - And suddenly from more or less Nothingness, It spiralled into life. Sinking, sinking, sinking Into the danger zone; Thinking, thinking, thinking - From a mere molehill, this Everest has grown. My heart's a lonely soldier Lost in inaction, That morning true love hit me And put my tongue in traction. It had to be forbidden then, Hidden then. It dare not speak its name. He left me to a quietude, no more visitations From a world apart where strangeness spreads Like smoke from his cigarette. Its ash and its filter are sacred relics, Splinters from the True Cross. Ill fares my island now In grey eternity. Like water is the ocean, That beaming screen is me. A hermit's tortured rhapsodies, Their ecstasies - They rock around the clock. Grumble, grumble, grumble - Mumble at the TV Fumble, fumble, fumble - I change the station and hope in vain to change me, Exchange me, age me, derange me, rearrange me, estrange me…
4.
When the west wind wails across the Westarweg And the raven wings down the Humber, Fear stirs in the strongest hearts. The land becomes a harbour For Hardrada! The king must awaken the housecarls, The ealdormen and the aethelings. Have the Witanagemot taken the fyrd and fled From Hardrada? This could be the end - such a lust for battle. Do Christ and his saints sleep forever today? Who cares what may happen to you? Down the antique streets of Asia Minor To the woodland wilds of the Wineland, None can slow their ardour. The known world knows the Northmen Of Hardrada! Count your futile fallen - fools and martyrs with them; Valhalla awaits you in battle today. Who cares what may happen to you? From fjordic fastnesses were fashioned sea dragons That to the saga gave birth. Each continent and coral reef knows that all the world Swivels on the axis of the Northmen. Taste the thin-lipped axes of the Northmen! And it would not slander Alexander Or even Caesar's legions. On land and sea resourceful To give the law its force - The Danelaw! Feed the ravens corpses - muster up your forces. Let Christ and his saints sleep forever and a day! Who cares what may happen to you?
5.
I sailed the seven seas for treasure islands That would somehow take me nearer the public heart. I have sailed more miles than the kittiwake flies. I'm tantalized, but I've tried too hard For something a mere fraction out of reach. Heave her high on the anchor chain With a running bowline, sailor. Hoist her high, hoist her dry. Sailor, rock and roll me over! I'll aim my merchant clipper for north-west China If the pilot gets us past the harbour's mouth - But when the ship's becalmed and the sail is slack, And the crew is crippled with the Yellow Jack, There's not much you can do to comfort me. Heave her high on the anchor chain With a running bowline, sailor. Hoist her high, hoist her dry. Sailor, rock and roll me over! Over and over and over again, it's still an unchanged game. A fixed idea possessing me, it's always been the same. There's a good stiff breeze for the north-west passage to China That may lead me to the worst of dreams come true - But when the wind is high and it's raining too, Then any old port in a storm will do Till one strange day I throw the anchor down. Heave her high on the anchor chain With a running bowline, sailor. Hoist her high, hoist her dry. Sailor, rock and roll me over!
6.
Eleanor, oh Eleanor Will you return from bondage drear? I'll be your troubadour forever. You work too much and you try too hard, And each and every day your strength grows less. You talk so much and you drop your guard. Tomorrow always ends up as a guess. Eleanor, oh Eleanor Will you return from bondage drear? I'll be your troubadour forever. You hardly know that I exist, Though I'm your only hope. You saw me crane my neck inside A faceless crowd of people. It's far too much - in fact, impossible To hold you here in my arms, But all my dreams would be realised In the presence, dear, of your... precious charms. No lance for me, no horse to ride, No dragon that this modern world would know - I'll wait until someone else decides How soon or not your husband lets you go. Eleanor, oh Eleanor Will you return from bondage drear? I'll be your troubadour forever, yeah. Eleanor, oh, Eleanor Will you return from bondage drear? I will wait for you forever.
7.
Back in the forest primaeval, She'd heard about trash like us. She'd seen us fighting drunk Or in the long grass round the churchyard - But into that mocking arena, She came to dance with the diddikois. Rebel rocker, rebel rocker, Your dad don't like me, But I don't care. See you Friday down the café, My little rebel rocker, yeah? She was a high school commanchero. She never really got the point. She aspired to a Hell's Angel wedding With a motor-bike manual for a Bible. She mothballed her spurs and her jodhpurs To join the night café biker girls. Rebel rocker, rebel rocker, Your dad's a vicar, But I don't care. See you Friday down the café, My little rebel rocker, yeah? One day, we change into people Who can't dance the Madison - But in the roaring years when I loved her, She didn't give a tinker's cuss Yet she married some bloke called Tony When all the bikes ran out of petrol - But back in the forest primaeval, She used to dance with the diddikois. Rebel rocker, rebel rocker, I'm broken-hearted, But you don't care. Missed you Friday down the café, My little rebel rocker, yeah.
8.
Run, Kalwinder. Kalwinder, don't you cry. Into a void, we've gone; So long, Kalwinder. Goodbye. Once, when we were young, we were so in love. I raised you above the highest rung When we were young. Then to have and to hold, I stood at your side Till my love went cold and death closed my eyes - When I was old, Kalwinder. Run, Kalwinder. Kalwinder, don't you cry. Into a void, we've gone; So long, Kalwinder. Goodbye. So I made you rich; the world was your friend - But good times like this must come to an end Like you and me, Kalwinder. Run, Kalwinder. Kalwinder, don't you cry. Into a void, we've gone; So long, Kalwinder. Goodbye. Down, down by the riverside, she runs to wash her cares away; Kalwinder, now I've lost her, but I could find no other way. Now you curtsey and bow, and you call me 'sir', And this makes me sad for what we once had, And all we were, Kalwinder Run, Kalwinder. Kalwinder, don't you cry. Into a void, we've gone; So long, Kalwinder. Goodbye.
9.
I cover the waterfront; I watch the cold, grey sea, Down by the waterfront Though it's no good for me. At the end of the working day, Dawn seems a year away. I cover the waterfront for you. I cover the waterfront In the department store, Doing some overtime When the customers close the door. The wee small hours may chime, Still I will walk the floor, Doing some overtime for you. So I work late or try to sleep, And hurry each weekend through. When I walk that lonely beach, I realize there's nothing else for me to do. I cover the waterfront Where we were on holiday. Down by the waterfront, I saw you slip away. Gone for a week or two, The newspapers searched for you. They covered the waterfront for you. In the eyes of the harbour police, It was a routine job and nothing new When something washed up on the beach - And no-one was sure it was you. I cover the waterfront Whenever the tide is low Because there's room for doubt - And because I love you so. Over a year has passed Since the day that I saw you last. I cover the waterfront for you.
10.
And when you wave and walk away, How will those first moments be As you edge nearer to the day When I'm no more than a memory? If I'm second fiddle or not even that, I'm still very glad to be in your band - Counting out bar after bar, a triangle in my hand. Joking aside, let me stay in your life As you always will in mine. When your own offspring grow up too, You won't doubt What I'm talking about When they say goodbye to you Like they have to do - And not turn around To take one last look, Then close the book And leave you feeling blue. If I was a hero in the wildwood, I'll remain a distant friend - But when you fade from your boyhood Please forgive my need, The need of a rag doll For a heedless child.
11.
Down in the back streets, The back streets so mean, There is Crioda who's only fifteen. Though she is mine, she won't know who I am - Down in the back streets, The back streets of old Rotterdam. I was recalled to Holland on pretexts so vague For a touch of diplomacy out in the Hague. I dry-cleaned my suit and I processed my smile, And spent days counting paperclips into a file. Does your mother wonder what happened to me When I joined the Luftwaffe in '43? When caught in a Gaffelstraat small-death romance, The army invaded and smashed into France. ‘O where, tell me where is my father?’, you cry, And I hope that your mother will tell this sweet lie: That in all of this world, there's none to compare To your poor father who died in the war. The conference ended a few days too soon So I ordered my breakfast for late afternoon. I bothered room-service to call up my wife - Leaving you and your mother as ships in the night. Down in the back streets, The back streets so mean, There is Crioda who's only fifteen. Though she is mine, she won't know who I am, Down in the back streets, The back streets of old Rotterdam.
12.
Awake, my lord, and leave all meaner joys To musicians, bards and their parasite boys. Venus calls you; her voice obey. In her fair arms spend night and day. In the Inner Temple in a cell divine, You can lay your lover in peace sublime. John Wilkes, take your last chance tonight. Under the moon, oh mother, make my bed soon. The old devil always plays the best tune. It's Hellfire Francis, Prince of Darkness, Guard of the inverted cross. Mother Sulphur balances and makes accounts fair For all the young novices under her care. John Wilkes, take your last chance tonight. That's how the nun watched the signals and had for her pains The abbot's playthings and other small gains. Belladonna, mandrake and hemlock cloud The air of the room with the lights turned down. Lastly, they ravished fresh maidens so fair. The noise of their revelry rent the night air. John Wilkes, take your last chance tonight. Was that a soixante-neuf or was it forty-five? No lovers left alive. The Frenchman changes sides. Orgies were a pleasure; politics a crime. Nothing was really a pastime. The grasp divine, the thrilling squeeze, The Garden of Lust, the Temple of Ease, The panting breasts and the parting knees - How can you refuse when they offer these? John Wilkes, take your last chance tonight. Johnny, be good tonight.
13.
Within the trees in winter's grasp, Beneath the chamber of the moon, From the dark edge of a lake Came a solitary skater. The Earth lay still. No tawny cloud Could mar the brightness of the stars Nor the shaft of distant light That shimmered from my lonely window. Between the shoreline and the hills Was but the silence of the snow. Let it ease my restless soul As I wander from the doorway. Throughout this marble arcady, No wolf is howling for its prey. No fox or owl can lift the ear From the sound of whirling circles. And a nightingale sang ti-ra-li-ra In a cool summer sky When our love was true and ageless. The skater's claimed back by the shades Of all the pain that ever was - Every sadness in the world That we found on leaving Eden. So silver mists of ancient night Stray from an eyrie in the fells. The woodland slumbers in their arms Till daybreak pierces the blackest shadow.
14.
Scum rises to the surface without thinking it, Twists his face into a frown when he's sinking it In the mineshaft of an iron dream. He never was too hindered by reality. It's easier to block it out with fantasy, Variations on a nameless theme - That endless, changeless theme Of how the story could have been. Now Johnny's on the run from everyone But no-one's looking for Johnny. He didn't know how bad it was to live there With yet nothing to compare it to or somewhere That would claim him but let him run. Specific incidents won't stand up to a retell. There's no need to go into distressing detail About Johnny raving on As in one leap he was gone. Into oblivion. Now Johnny's on the run from everyone But no-one's looking for Johnny. Runaway...very, very suddenly and violently… Runaway...coincidence contrary to blind chance. Runaway...slip smoothly from the circumstance so silently... Runaway...the speed of it has put him in a trance. The pageant of the dawn's recrimination, No sunshine on a shocking situation - And the last place where the black sheep stray... Shingle seethes and jingles on the beaches, Sleet-lashed in the land's most distant reaches - That's where Johnny holds his sway Till the stark light fades away, And the dark comes freezing down Like doomsday… Runaway...melodrama panorama in the sand dunes... Runaway...stones condemned to years beneath the deep. Runaway...his carrier bag escapes and wraiths the half-moon. Runaway...slipping into his uneasy sleep… Well, the tide comes in tonight And Johnny's out of sight. He's been on the run from everyone. But no-one's looking for Johnny.
15.
I look into winter, faraway, faraway; Look into winter now summer's long gone. I look into winter now faraway summer is lost. Gold hadn't turned into marble before I discovered I talk to myself: Unstructured reflections from too long ago That matter to nobody else. I look into winter, faraway, faraway; Look into winter now summer's long gone. I look into winter now faraway summer is lost. Hand in hand in the mist of the ruins were we On that eschatological day. In the midst of our courtship, the planet was young. Sweethearts are selfish that way. I look into midnight once faraway, faraway; Look into midnight now evening is nigh. I look into midnight now faraway daybreak is lost. Do I embrace the darkness or shun its caress - Though death will always find me? Out on the road in the throes of mad youth Before it got tangled and torn - I know what broke up that old gang of mine: A twilight that felt like a dawn. I look into winter once far-faraway When looking back at what so opened my heart. I look into winter now faraway summer is past. I look into winter once faraway, faraway. Look into winter now summer's long gone. I look into winter now faraway summer is lost. Time falls from my fingers like leaves to the ground That turn to earth eternal.
16.
David, oh David, hang onto that daydream, Hang onto that daydream if it meant so much That centuries fade and some smile and remember The man who was Screaming Lord Sutch It was your day that day, the last show on Earth - But a black carnival shall continue For those who weren't there for that final performance, The only one left in you. You'd identify awe in the constituency When counter assistants went coy - But they'll think of you less in the junk shops and cafés Where you were still a boy. No-one else listened to that dark escort's whisper. Your mind slipped away from the outrage When fortune failed slowly, you heard your own footsteps Walk off the stage. Cameo? Therapy? Some kind of hell? The dressing room was one more cold dungeon cell. The spotlight, it felt bloody warm on your face In 'Jack The Ripper' during the chase - And a solitary mister, Paid off and gone, You wondered if you Had already passed on! A newsreader's footnote, the punch-line unspoken, Transmitting your funeral knell, Still keeping the faith, you'd packed up and checked out Of Heartbreak Hotel. David, oh David, hang onto that daydream, Hang onto that daydream if it meant so much. Though centuries fade, there'll be some who remember That tears fell for Screaming Lord Sutch, The man who was Screaming Lord Sutch.
17.
You left her on two wings and a prayer. You scrambled away into thin air Into that endless blue To die in World War Two, Never to return again. The aerodrome's run down and out of use. Your fascist queen still hangs around for you; With every passing plane, Whispering your name While you remain in the cold Aryan tomb. Superman, No future can Make you return to Germany. You could return my reason to me, Watching the sky for my love. You walked out of that door in '44, But were you still alive in '45? Were you shot down in a dog-fight For the glory of the Third Reich? I'd wait a thousand years until I know. Superman, No future can change you Who said no farewell in '43. Did you die in the sky for Germany? How could you do this to me? Superman, No future can change you. There is no work for the Luftwaffe to do. Why won't they make a civilian of you? Who can control you from the grave? If you would return, my soul would be saved. Superman, you've been flying far too long. What a difference a decade made From the hour that it began - The strange landscapes of the mountain… Nothing can be quite what it seems. Let's not be beastly to the Germans At the Treaty of Versailles. Who were the mothers of Dada Way back in 1916? It's said I know no good or evil, A sentry skilful on land and sea. How I reversed all their allied values Since the crime that set me free! Now praised and magnified for ever, A strong man with an iron heart - A snake-eye cropped up for the first time Since that long, transfigured night. From the sunny Spanish marches To the freezing Arctic sea, How I wasted all the nations Lost and found for Germany! My gun is loaded for the last time. I've gone from the sight of man; Caesar's crown the greatest poison Ever since the world began. When I gaze into your blue eyes, All I see is myself.
18.
Young man held for questioning - No Fleet Street affair, Mother way past worrying, Father old and square. He's martyred like St. Stephen As he drags upon a Winston In young England. Chase ideas in the wilderness, Starve and plot and scheme - Part of someone's masterplan; Someone's wildest dream. Who'll harness the frustration Where disaffection festers In Young England? Bold young brutes with angel faces - Help is always near. The eastern world, it is exploding, But it can't happen here. Blitzkrieg unexpectedly When the sky is blue - Nacht und nebel, third degree Searchlight shine on you And though the war continues, There lives a restless nation In Young England. Streets full of bravado, And times are getting harder In Young England
19.
You caught my eye like a magnet, Someone alone like me From unspeakable land to unspeakable language. That was the day two castaways came together Forever Though we'll never Live in legends where the rainbow ends - Except in dreams of longing for our homeland. The sky above is as cloudy As the earth beneath is cold - And we're no longer quite such rootless changelings. Strange that we should be fading into age As the changeless And the changed Where we've delved as deep as a monkfish could sleep, Deep enough to lose sight of our homeland. Suddenly, the flood plain of the city Had slip-slapped with blood and fire. The power swept my love and I downtown To the sound of countdowns to the hour: 3-2-1-zero hour. We fled as far as the most distant star Caught in the branches of the trees in our homeland. Suddenly, like human moles, Bed down on subway grime - Dingy hoardings exhorting Strength Through Joy When girls and boys were running out of time: 5-4-3-2-1. Children have brought us contentment. Children have made us less sad. Otherwise children just bind us to our exile. Will children make us less lonely if they cry When we die? When we die, Will we climb as high as an eagle could fly, High enough to spy our homeland?
20.
The day is dead and all’s been said. The fire’s down to ember. In fading light, the night ignites. The old inferno burns and I remember… If I could, I’d return to the crossroads When dread defers to longing for Times forever furious with feeling. If I could, I’d recapture the rapture Of the ideas that he had. My younger self heeds not what I could tell him. Right now I’d blast his brainstorms out (Get with it. You gotta get with it) But would I tame his game this time tomorrow? Whatever next? Shall I take up golf When the season’s dry and warm Or start sending socks to fishermen in a snowstorm? For my rooftop’s slate was slashed with snow When certain sure that I could go To the over-sixties sessions at the swimming pool Where the shallows speak of numbered days Since surcease from their labour pains: Neighbourhood armistice with eternity. A map of maps and facts on facts, (Get with it. You gotta get with it) Will there be talk of talk this time tomorrow? Who’s that stranger in the mirror now? (Get with it. You gotta get with it) Will he be when I look this time tomorrow? He lives in cardboard folios Of cuttings that I kept From when trash was a newsflash across the world. Sending socks to fishermen! (Get with it. You gotta get with it) (Get with it. You gotta get with it) (Get with it.)

about

Ancient and Modern: Highlights of Half-a-Century is a testament to Alan Clayson's five decades of musical brilliance. Known as the charismatic frontman of Clayson and the Argonauts and a notable solo artist, both entities are characterized by their distinctive recorded output and stage acts that defy succinct description. This compilation showcases the breadth of Clayson's styles, from psychedelic gems like “Pagan Mercia” to introspective folk tracks such as “The Moonlight Skater,” co-written with Jim McCarty of the Yardbirds. Moreover, since 2011, he has been touring with Clayson Sings Chanson, a presentation aligned with the recent edition of his Jacques Brel biography, La Vie Bohème - just one among thirty books of which he is the author. This handpicked collection enhances his already remarkable discography, providing an excellent entry point for newcomers.

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released December 8, 2023

Co-ordinated for release by Roger Houdaille and Alan Clayson
Remastered by Prof. Stoned
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